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Jan 27, · Finally, Exposure X2 addresses push processing, but it overlooks pull processing. Whereas push processing adds contrast and grain, pull processing has the opposite effect, reducing both. We may not use it that often, but it would be nice to have the option. Conclusion Alien Skin’s Exposure X2 hasn’t quite become my go-to Raw processor just yet. Nov 26, · Alien Skin Exposure X2 Full Version. Posted on November 11, November Alien Skin Exposure free download is a powerful digital imaging software. It has the time saving process and accurate start time. It gives the whole new features to work and gives many options and varieties to the photographer users. Nov 04, · · Alien Skin Exposure X3 can be installed on Windows 7/8/10 environment, bit version. Our antivirus check shows that this download is malware free. Alien Skin Exposure X2 xexe, Alien Skin Exposure X3 xexe and Alien Skin Exposure X4 xexe are the most frequent filenames for this program’s System: Windows.
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Nov 26, · Alien Skin Exposure X2 Full Version. Posted on November 11, November Alien Skin Exposure free download is a powerful digital imaging software. It has the time saving process and accurate start time. It gives the whole new features to work and gives many options and varieties to the photographer users. Trusted Mac download Exposure X2 Virus-free and % clean download. Get Exposure X2 alternative downloads. Feb 01, · Alien Skin Exposure application is free to download and offers easy-to-install, easy-to-use, secure, and reliable Imaging and Digital Photo applications. This application’s primary functions are comprehensive and go beyond the features offered by others that can be considered as its Name: Alien Skin Exposure.
Still, they are fun to use and do fill a niche. Available for Mac or Windows, Exposure X2 comes to you as both standalone and plug-in. However, for reasons outlined below, I found myself increasingly using Exposure X2 as a standalone app. Film Emulations While starting this review, I approached Alien Skin with a basic question: What are your film emulations based on? Are they extrapolations or based on actual film tests? And, if actual tests, did you factor in such variables as alternate chemistries?
If a film was available and we could find a lab to process it, we shot some rolls and used them to guide the preset design. We examined grain for some films under an electron microscope to make sure we got the structure and distribution right. Also, for most films we consulted with photographers that had previously shot them.
For alternate processes such as cross-processing we relied on prints and consultation with photographers. Just as I was about to finish writing this review, I posed one last question to Alien Skin, about film expiration dates. Plug-in or Standalone You can use the standalone version of Exposure X2 for your Raw processing workflow from top to bottom, with some caveats. It offers a file ranking system, but lacks keywording, titling, and captioning.
The export process is fairly comprehensive, so no worries there. One advantage to using the standalone version is that editing is nondestructive, so you can always return to the image from within the standalone app and continue to edit. This version offers enhanced support for lens correction in Raw files.
Also, lens correction extends only to distortion, not vignetting or chromatic aberration the last of which is often critical toward achieving sharp images edge to edge. A simple workaround is this: generate a TIFF from your Raw file using Lightroom or Photoshop and work with that file in the standalone, or use the plug-in. Without belaboring the point, as either standalone or plug-in, Exposure X2 offers a full range of editing controls, with pretty much the standard fare in its range of settings.
It adds some effects you may find intriguing, such as bokeh, overlays, and infrared. Using simple variations on the same effect can get tired awfully fast. That aside, I found myself getting very creative with Exposure X2.
Worth the Upgrade? There are subtle improvements and very noticeable enhancements in this version. It features highlight, shadow, and mid-tone brightness regions that are user-controlled slide them left or right with your mouse.
That said, the histogram lacks separate white and black regions. It does, however, include highlight and shadow clipping indicators, which are reflected in the image. This made a big difference to my workflow. Enhanced Selection and Search. Under Edit, we now find a Select Matching option, to find images that match a specific parameter or attribute, such as ISO, rating, or lens, from inside a folder.
The search engine has also been enhanced, giving you a broader range of search criteria. The difference is that the Matching option highlights applicable files, so you have to scroll through them—while continuing to display other files within that folder.
A nice touch. Faded Presets. Frankly, in my book, this new category is much ado about nothing. Still, you may find it useful. As a result of this addition, another category underwent a name change, namely the Color Fading category changed to Color Films — Aged. Spot Healing Tool. This retouching tool is a welcome addition.
It appears to work in a similar fashion to the Spot Removal tool in Lightroom, but not quite as well. Specifically, instead of borrowing from adjacent pixels, it seeks out similar pixels elsewhere in the frame and blends them, covering up any blemishes in the process. I found myself constantly having to move the target point to perfect the blend and protect the integrity of the image for example, with the veins on a plant.
History Panel. This is another very welcome addition and is self-explanatory. All I want to add about this is, I use it regularly. Alien Skin continues to insist that video tutorials suffice. A well-indexed manual will relieve the frustrations I encountered. Pop-up wizards would also help, to explain various functions. Beyond that, an app that focuses on film emulations should also emulate different papers. So this would be a welcome addition.
Finally, Exposure X2 addresses push processing, but it overlooks pull processing. Whereas push processing adds contrast and grain, pull processing has the opposite effect, reducing both. We may not use it that often, but it would be nice to have the option. On the other hand, its true strengths lie in its core functionalities as a film emulator and black-and-white converter. And even here, I use it more for the look and feel of film rather than trying to imitate a certain film from my analog days.
More to the point, I use Exposure X2 to give my images a definable quality and texture that will help them stand out. And especially when it comes to black-and-white conversions, I like the control Exposure X2 affords me.
In fact, black and white was practically my entire focus when reviewing the software. Well, that and selectively restoring color in black-and-white images. And given the resurgence of black and white as a popular medium, this was definitely time well spent.
Search form Search. Software Reviews. Jack Neubart Jan 27, Kodachrome 25 I selected the Kodak Kodachrome 25 color film emulation for its fine grain and good color saturation. But at the same time, I wanted to pump up the reds while downplaying all the other colors, so I desaturated all the others. I made further tonal adjustments before adding two overlays: a vintage border and a light effect in tune with the rim lighting , both of which I modified.
Ilford XP2 Super I chose this chromogenic black-and-white film more because it appeared to fit the tonal qualities of the image than for the film itself. I selectively brushed in the color on the skipper butterfly. My technique is simple: use a heavy flow for large areas and a light flow 50 or less for delicate areas, with feathering at between 50 and The eraser brush restores color, while the regular brush cleans up around the edges, preventing color from bleeding into adjacent areas.
Note that I even restored color to the antennae, which I felt was integral to the shot. Kodak Tri-X This split view shows the brush layer mask below in red. I used the eraser brush to restore color in the sparrow, carefully working around the protruding feathers. After making tonal adjustments, notably to emphasize the structure and tall ship, while toning down a couple of the marker buoys, I added a vignette. One of the interesting things about the vignette effect is that it is not limited to familiar shapes: it can be more or less irregular, which here added a nice touch, giving the scene more depth.
Location: Chicago. Fuji Neopan I wanted a bit of a grainier feel to this shot, so I chose a grainier film. I made some tonal adjustments to further emphasize the M. Escher-esque nature of these stairs at the Chicago Cultural Center. Note the grain structure in the cropped detail. Fuji Velvia 50 My usual approach is to convert to black and white, then selectively restore color.
This time I chose to come at this the other way around, so I selected a color film, and desaturated the elements surrounding my key subjects. To do this, I had to create a Desaturate brush preset. Once I did that, I chose to use the existing Saturate brush preset as an additional layer to intensify the flower and butterfly modifying the brush on the fly with added clarity and sharpness.
I also used the healing and cloning tools to retouch out some spots on the green leaves. I should also note that I chose this Fuji film, recalling how Fuji was well known for its greens. Well, here they were simply too intense, so I had to tone them down considerably before using the Desaturate brush. Log in or register to post comments. Latest Trending Photos Videos.
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