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Learn about effects, video, audio, and publish settings available in the Export Settings dialog for Adobe Media Encoder. Due to changing needs of video professionals and content creators, we are discontinuing Adobe Prelude. Effective September 8, , Prelude will no longer be available on Adobe.
For more information, and instructions for downloading Prelude during the support period, please see our FAQ. The export settings dialog allows you to adjust parameters of the video clip before you export it, such as frame rate, resolution, and quality. To open the Export Settings dialog in Adobe Media Encoder, select the output of a source video in the Queue panel and do one of the following:.
The Export Settings dialog includes a video preview frame on the left with tabs to switch between Source and Output views, plus a timecode display and timeline so can you navigate to any frame and set In and Out points to trim the duration of the exported video. For information about using the various encoding options in the Export Settings dialog box, see Encoding and exporting. The Source tab shows the source video without any export settings applied.
You can switch between Source and Output tabs to get a quick preview of how export settings affect your source media. From here, you can crop your source video so that only a portion of the frame is exported.
Choose from common crop proportions like or or set custom values for the cropped frame. In the Export Settings dialog box, select the Source tab. To enable cropping controls, click the Crop button in the upper-left corner. To constrain the proportions of the cropped video frame, choose an option from the Crop Proportions menu. To preview the cropped video frame, click the Output tab. This setting is available for any output format with editable frame dimensions.
This option scales the source frame to fit within the output frame without any distortion or cropping. Black bars may be added to the top and bottom letter-box or sides pillar-box of the video as needed. If you have cropped the source video, the cropped dimensions are fit within the exported video frame. This option stretches the source frame to completely fill the output frame with no cropping.
This option scales the source frame, including any cropped areas, to fit within the output frame without distortions. A black border is applied to the video, even if the output frame is smaller than the source video.
This option automatically sets the output video frame size to the height and width of the source video frame, overriding the current output frame size settings. Change Output Size to Match Source is not available with all export formats. You can achieve the same result by clicking the Match Source button in the video tab or by choosing a Match Source preset. A timeline and timecode display are located under the preview frame in both the Source panel and Output views.
The timeline includes a playhead showing the current frame, a duration bar, and controls for setting In and Out points. Video preview frame B. Mark In and Out C. Time duration D. Source Range E. Zoom Level F. Aspect Ratio Correction. To preview different frames, click or drag the playhead along the timeline. You can also type a timecode value in the current time display to move the playhead to that specific frame.
The video preview shows that the frame indicated by the playhead in the timeline. By default, Aspect Ratio Correction is enabled so video with a non-square pixel aspect is shown without distortion on computer displays.
To disable this setting, click the Aspect Ratio Correction toggle button to the right of the Zoom menu. To zoom into and out of the preview image, choose a zoom level from the Select Zoom Level menu above the timeline.
To trim the duration of exported video, set an In point first frame and Out point last frame in the timeline. You can set In and Out points in the following ways:. The Source Range menu lets you quickly set the duration of your exported video with the following options:. Adobe Media Encoder honors timecode information in a source file. If the source starts from , then the timeline for the item in Adobe Media Encoder also starts from , and not from zero. This timecode information is included in the encoded output file.
The top section of Export Settings allows you to choose the format of the exported video and select from a list of common presets. For more information, see Create custom presets for Media Encoder. You can also change the exported filename and select a destination for the exported media. Options to export video-only or audio-only files are also available, and a summary of source and output settings. Use the Lumetri effect to apply various color grades to your exported video.
Soft Knee — Controls the transition to full compression mode to avoid hard clipping. Use Image Overlay to overlay an image on your exported video. Position – Sets the relative position of the image overlay within the output frame. Offset – Specifies the horizontal and vertical offset from the relative position in pixels for the image overlay.
Size – Adjusts the size of the image. The image gets overlaid according to its relative size regardless of the output resolution. Prefix – Text added to the beginning of the name overlay. Position – Sets the relative position of the text within the output frame. Offset X,Y – Specifies the horizontal and vertical offsets in pixels for the name overlay.
Opacity – Specifies the opacity of the black background behind the text. Position – Sets the relative position of the timecode within the output frame. Offset X,Y – Specifies the horizontal and vertical offsets in pixels of the timecode within the output frame. Media File – Reads Timecode from the source media. If the source media is not detected, timecode overlay starts at zero and matches the source’s frame rate.
Generate Timecode — Generates custom timecode for the overlay. Target Duration – Duration of the exported video after effect is applied. Duration Change – Amount the output duration differs from the source duration. In Preset Use — Determines how duration is adjusted when preset is applied to other sources:. Enable this option to have Time Tuner ignore any series of still images longer than 10 seconds.
Video Limiter constrains the luminance and color values of source video so they fall within safe broadcasting limits. See Automatic Loudness Correction for more information. Video settings vary based on the export Format you have chosen. Each format has unique requirements that determine what settings are available. For more information, see Supported file formats. Some capture cards and plug-in software provide their own dialog boxes with specific options.
If the options you see are different from the options described here, see the documentation for your capture card or plug in. For general information about compression settings, see Compression tips. When set to Match Source, Adobe Media Encoder automatically sets this value to match the field order of the source. For more information, see Interlaced versus non-interlaced video.
When exporting video files in H. Selecting a Match Source preset automatically activates the appropriate options in the Video settings tab in the Export Settings dialog.
Match Source presets are useful when you want to pass a few video attributes from the source, and select specific values for the other attributes. You can save the Match Source setting as a new preset and apply them to any source in the Queue or Watch Folder panels.
For example, say, you have a Watch Folder containing assets with varying frame sizes and frame rates. You want to convert all the assets in the Watch Folder to a single format at 24 fps. To do so, create a preset with source-matching enabled for all properties except Frame Rate , which is set to 24 fps.
To adjust width and height independently of each other, toggle off the link button. Video Dimensions – Some formats like H. The Video Dimensions menu displays supported frame sizes for these formats.
Frame Rate – Frames shown per second during video playback. For more information, see Frame Rate. Field Order – Specifies whether the exported file has progressive frames or frames made up of interlaced fields. Aspect — The pixel aspect ratio of the video. Pixel aspect ratio PAR describes the ratio of width to height of a single video pixel. When Match Source is enabled, the standard is calculated based on properties of the source.
Performance – H. Generally speaking, higher-level settings support larger video resolutions. High Dynamic Range – Exports with High Dynamic Range, which retains detail in brighter whites and deeper blacks at higher bit depths.